Dream Tending: How
to Listen to Your Soul
Inspired by Pacifica Graduate Institute's DreamTending
course taught by Dr. Stephen Aizenstadt
During the holidays we can lose ourselves, become so involved
with others' worries and needs that we forget who we are. One
way to check back in is to record our dreams. If you don't remember
your dreams, take a situation from your life and write it as
if it were a dream.
The sheer act of writing down our dreams allows our inner self
to feel respected and heard. However, we can take this a step
further. Here is a fun and easy process that I learned when I
attended Pacifica Graduate Institute's DreamTending course, taught
by Dr. Stephen Aizenstadt. Dr. Aizenstadt learned this process
from an unnamed poet.
How to check in with your soul:
Write the dream (in present tense), and then write it a second
time, adding any details that might have been forgotten. Now,
write the dream a third time but this time you'll write a poetic
version. For this you can simply add flowery language, or your
third version may sound totally divergent from the original
dream. The point is that the third version is inspired by the
first two, and I think you'll be happily surprised by what
opens up when you give yourself this freedom to play.
Here's a sample of my first time trying the process.
My dream, first version:
"I'm in a restaurant where people are eating breaded fish.
I can't eat fried food so I de-bread mine. Dan is in the corner.
Does he see me?
There's an overlay on us like I'm in the dream and creating it
at the same time; it's like watching a movie being filmed. I
notice the hairy guy who has fish sticking up from his fingers,
like half-moons. They're not breaded."
Second version:
I'm in a restaurant where people are eating fried fish, holding
the thick breaded rounds in their hands, some with white paper
napkins around the bottom. I have a dilemma because I don't
eat breaded, fried food and I know that makes me different.
I think I don't want Dan to see. A black woman kneels at my
feet. For some reason she's so grateful to me. Does Dan see her?
Does he know that people value me? I think it must be hard to
be black in the 1950's because that's part of who I am. I think
I'm also posing as a man and yet wondering why she would see
me as a man. She's crying. "Stunt" person has all the
half moon fish slices between his fingers. He seems really accomplished."
Version 3-Poetic Version:
"Fish, like half moons, stays in his hands. I can't imagine
how he does this. I also want my fish clean and new but I lack
this wild man's command. I see Dan but I don't know. Are we seeing
each other this year? I long for him to know me, to say hello and
make it mean more than hello's supposed to mean. We're so far from
who we were we were, I don't know me anymore."
See it doesn't have to be great poetry. Dream tending is about
paying attention to the images and allowing them to speak. As
I typed this sequence today, I saw different aspects of the dream.
Later in that workshop we were asked to draw a picture of our
dream, something I dreaded doing because I can't draw. However,
in submitting to the exercise, and drawing it anyway, I realized
the dominance of the character of the "wild man," the
man with the fish. I was then able to add that character to a
story I was writing, as well as look at the wild man in myself
and that concept in my life.
Lorrie Kazan (www.lorriekazan.com)
Copyright © Lorrie Kazan 2002-2005
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